Azor is a typeface for display and text that requires comfortable legibility, personality and a human touch. It started as an exploration of organic shapes which are influenced by the writing tool, searching for the right balance between expressive shapes and formal features suitable for reading situations. ¶ Although text styles are shyer in terms of expression, exciting and playful details emerge in heavier and stouter weights. ¶ Meanwhile, the regular italic is an exploration of legibility and presents sharp shapes and large counters which solve text situations when matching with the roman, but also small-sized paragraphs such as captions. Display reveals shapes to a great extent demonstrating elegant design and radical contrast. These features highlight the differences from other styles. All the styles have a calligraphic influence that retains visual consistency throughout the whole family.
2018
Type Media Graduation Website

Azor is a typeface for display and text that requires comfortable legibility, personality and a human touch. It started as an exploration of organic shapes which are influenced by the writing tool, searching for the right balance between expressive shapes and formal features suitable for reading situations. ¶ Although text styles are shyer in terms of expression, exciting and playful details emerge in heavier and stouter weights. ¶ Meanwhile, the regular italic is an exploration of legibility and presents sharp shapes and large counters which solve text situations when matching with the roman, but also small-sized paragraphs such as captions. Display reveals shapes to a great extent demonstrating elegant design and radical contrast. These features highlight the differences from other styles. All the styles have a calligraphic influence that retains visual consistency throughout the whole family.
2018

Azor is a typeface for display and text that requires comfortable legibility, personality and a human touch. It started as an exploration of organic shapes which are influenced by the writing tool, searching for the right balance between expressive shapes and formal features suitable for reading situations. ¶ Although text styles are shyer in terms of expression, exciting and playful details emerge in heavier and stouter weights. ¶ Meanwhile, the regular italic is an exploration of legibility and presents sharp shapes and large counters which solve text situations when matching with the roman, but also small-sized paragraphs such as captions. Display reveals shapes to a great extent demonstrating elegant design and radical contrast. These features highlight the differences from other styles. All the styles have a calligraphic influence that retains visual consistency throughout the whole family.
2018

Carlos_de_Toro_Type_Design21 (1)

 Font in progress.
2017

Jannon New is a revival typeface based on Garamond Series 156 published by Monotype. This is an essay and design project by Carlos de Toro in Type and Media. Font in process.
2018

Jannon New is a revival typeface based on Garamond Series 156 published by Monotype. This is an essay and design project by Carlos de Toro in Type and Media. Font in process.
2018

Jannon New is a revival typeface based on Garamond Series 156 published by Monotype. This is an essay and design project by Carlos de Toro in Type and Media. Font in process.
2018

Jannon New is a revival typeface based on Garamond Series 156 published by Monotype. This is an essay and design project by Carlos de Toro in Type and Media. Font in progress.
2017

Jannon New is a revival typeface based on Garamond Series 156 published by Monotype. This is an essay and design project by Carlos de Toro in Type and Media. Font in process.
2018

Jannon New is a revival typeface based on Garamond Series 156 published by Monotype. This is an essay and design project by Carlos de Toro in Type and Media. Font in process.
2018

Jannon New is a revival typeface based on Garamond Series 156 published by Monotype. This is an essay and design project by Carlos de Toro in Type and Media. Font in process.
2018

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Recia is Carlos De Toro’s debut typeface with ITF. Recia is a contemporary-style serif. The family comes in 10 styles, and its five Italic fonts are ‘true-italic’ designs, which feature a cursive-structure in the letters. Its x-height is pretty high and the characters are slightly condensed, with strokes that are rather low-contrast. In the lighter weights, hardly any stroke contrast is visible between the thick and thin portions of the letters, but in the Bold weights, stroke contrast is clear, but the thinner strokes are still quite chunky. The serifs all take wedge-shapes. Each font contains 516 glyphs, and the character set offers users multiple figure styles via OpenType features. The default numeral versions are proportional oldstyle figures. Recia is optimised for use in running text, particularly in less-than-optimal printing environments were sturdy letterforms are needed.
(2015)

Recia is Carlos De Toro’s debut typeface with ITF. Recia is a contemporary-style serif. The family comes in 10 styles, and its five Italic fonts are ‘true-italic’ designs, which feature a cursive-structure in the letters. Its x-height is pretty high and the characters are slightly condensed, with strokes that are rather low-contrast. In the lighter weights, hardly any stroke contrast is visible between the thick and thin portions of the letters, but in the Bold weights, stroke contrast is clear, but the thinner strokes are still quite chunky. The serifs all take wedge-shapes. Each font contains 516 glyphs, and the character set offers users multiple figure styles via OpenType features. The default numeral versions are proportional oldstyle figures. Recia is optimised for use in running text, particularly in less-than-optimal printing environments were sturdy letterforms are needed.
(2015)

Recia is Carlos De Toro’s debut typeface with ITF. Recia is a contemporary-style serif. The family comes in 10 styles, and its five Italic fonts are ‘true-italic’ designs, which feature a cursive-structure in the letters. Its x-height is pretty high and the characters are slightly condensed, with strokes that are rather low-contrast. In the lighter weights, hardly any stroke contrast is visible between the thick and thin portions of the letters, but in the Bold weights, stroke contrast is clear, but the thinner strokes are still quite chunky. The serifs all take wedge-shapes. Each font contains 516 glyphs, and the character set offers users multiple figure styles via OpenType features. The default numeral versions are proportional oldstyle figures. Recia is optimised for use in running text, particularly in less-than-optimal printing environments were sturdy letterforms are needed.
(2015)

Recia is Carlos De Toro’s debut typeface with ITF. Recia is a contemporary-style serif. The family comes in 10 styles, and its five Italic fonts are ‘true-italic’ designs, which feature a cursive-structure in the letters. Its x-height is pretty high and the characters are slightly condensed, with strokes that are rather low-contrast. In the lighter weights, hardly any stroke contrast is visible between the thick and thin portions of the letters, but in the Bold weights, stroke contrast is clear, but the thinner strokes are still quite chunky. The serifs all take wedge-shapes. Each font contains 516 glyphs, and the character set offers users multiple figure styles via OpenType features. The default numeral versions are proportional oldstyle figures. Recia is optimised for use in running text, particularly in less-than-optimal printing environments were sturdy letterforms are needed.
(2015)

Recia is Carlos De Toro’s debut typeface with ITF. Recia is a contemporary-style serif. The family comes in 10 styles, and its five Italic fonts are ‘true-italic’ designs, which feature a cursive-structure in the letters. Its x-height is pretty high and the characters are slightly condensed, with strokes that are rather low-contrast. In the lighter weights, hardly any stroke contrast is visible between the thick and thin portions of the letters, but in the Bold weights, stroke contrast is clear, but the thinner strokes are still quite chunky. The serifs all take wedge-shapes. Each font contains 516 glyphs, and the character set offers users multiple figure styles via OpenType features. The default numeral versions are proportional oldstyle figures. Recia is optimised for use in running text, particularly in less-than-optimal printing environments were sturdy letterforms are needed.
(2015)

Barcelona is a city on the coast of northeastern Spain. It is the capital and largest city of the autonomous community of Catalonia, as well as the second most populous municipality of Spain. With a population of 1.6 million within city limits, its urban area extends to numerous neighbouring municipalities within the Province of Barcelona.

Born is a humanistic typeface that is based on traditional calligraphic forms, but with some new features in its endings, strokes and drops, that provide a more open, fresh and actual look. It also has a big X height, so it offers a high legibility even at small sizes. Born, was born in Barcelona city at early 2013, bears the name of one of the most pinturesque Barcelona districts, on the shores of the Mediterranean takes together the old and the traditional, and also the multicutural stuff and new trends, blending these in its narrow and winding streets, creating a symbiosis between tradition and modernity. This is a Mediterranean type, which it’s open to new times.
2013

Born is a humanistic typeface that is based on traditional calligraphic forms, but with some new features in its endings, strokes and drops, that provide a more open, fresh and actual look. It also has a big X height, so it offers a high legibility even at small sizes
Born typeface, born in Barcelona city at early 2013, bears the name of one of the most pinturesque Barcelona districts, on the shores of the Mediterranean takes together the old and the traditional, and also the multicutural stuff and new trends, blending these in its narrow and winding streets, creating a symbiosis between tradition and modernity. This is a Mediterranean type, which it’s open to new times.
2013

Born is a humanistic typeface that is based on traditional calligraphic forms, but with some new features in its endings, strokes and drops, that provide a more open, fresh and actual look. It also has a big X height, so it offers a high legibility even at small sizes
Born typeface, born in Barcelona city at early 2013, bears the name of one of the most pinturesque Barcelona districts, on the shores of the Mediterranean takes together the old and the traditional, and also the multicutural stuff and new trends, blending these in its narrow and winding streets, creating a symbiosis between tradition and modernity. This is a Mediterranean type, which it’s open to new times.
2013

Born is a humanistic typeface that is based on traditional calligraphic forms, but with some new features in its endings, strokes and drops, that provide a more open, fresh and actual look. It also has a big X height, so it offers a high legibility even at small sizes
Born typeface, born in Barcelona city at early 2013, bears the name of one of the most pinturesque Barcelona districts, on the shores of the Mediterranean takes together the old and the traditional, and also the multicutural stuff and new trends, blending these in its narrow and winding streets, creating a symbiosis between tradition and modernity. This is a Mediterranean type, which it’s open to new times.
2013

804aca46873861.5868487130a86

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I am a Type Designer, Art Director and Visual Communicator from Logroño, Spain. I graduated from Type and Media Master at KABK (Royal Academy of Arts The Hague, Netherlands) in 2018.

I have also experience in type, graphic, branding and editorial design due to my previous education and work experience as designer for newspaper, advertisement agencies, design studios and companies.

I divide my time between commissioned work for client and self-projects. I am continually looking for new challenges and projects that make me grow up as a designer and develop my skills while I keep designing and drawing letters. My work is inspired by history, typographic/design needs and fun experimentation.

I am a Type Designer, Art Director and Visual Communicator from Logroño, Spain. I graduated from Type and Media Master at KABK (Royal Academy of Arts The Hague, Netherlands) in 2018.

I have also experience in type, graphic, branding and editorial design due to my previous education and work experience as designer for newspaper, advertisement agencies, design studios and companies.

I divide my time between commissioned work for client and self-projects. I am continually looking for new challenges and projects that make me grow up as a designer and develop my skills while I keep designing or just drawing letters. My work is inspired by history, typographic needs and experimentation. I am currently open for collaboration on exciting projects.

I am an Independent Type Designer and Art Director from Spain. I graduated from Type and Media Master at KABK (Royal Academy of Arts The Hague, Netherlands) in 2018.

I have also experience in type, graphic, branding and editorial design due to my previous education and work experience as designer for newspaper, advertisement agencies, design studios and companies.

I divide my time between commissioned work for client and self-projects. I am continually looking for new challenges and projects that make me grow up as a designer and develop my skills while I keep designing or just drawing letters. My work is inspired by history, typographic needs and experimentation. I am currently open for collaboration on exciting projects.

I am a Type Designer, Art Director and Visual Communicator from Logroño, Spain. I graduated from Type and Media Master at KABK (Royal Academy of Arts The Hague, Netherlands) in 2018.

I have also experience in type, graphic, branding and editorial design due to my previous education and work experience as designer for newspaper, advertisement agencies, design studios and companies.

I divide my time between commissioned work for client and self-projects. I am continually looking for new challenges and projects that make me grow up as a designer and develop my skills while I keep designing or just drawing letters. My work is inspired by history, typographic needs and experimentation. I am currently open for collaboration on exciting projects.

I am a Type Designer, Art Director and Visual Communicator from Logroño, Spain. I graduated from Type and Media Master at KABK (Royal Academy of Arts The Hague, Netherlands) in 2018.

I have also experience in type, graphic, branding and editorial design due to my previous education and work experience as designer for newspaper, advertisement agencies, design studios and companies.

I divide my time between commissioned work for client and self-projects. I am continually looking for new challenges and projects that make me grow up as a designer and develop my skills while I keep designing or just drawing letters. My work is inspired by history, typographic needs and experimentation. I am currently open for collaboration on exciting projects.

Dalton Maag – London
Type Designer and Font Developer

Type and Media – KABK, The Hague
An amazing one year in a type design wintercamp in The Netherlands

Bullit Comunicación  – Logroño (ES)
Art Director and Graphic Designer

Máster en Tipografía Avanzada – EINA, Barcelona
A year in sunny Barcelona

Estudio MM – Barcelona 
Graphic Designer

Vocento – Logroño (ES)
Editorial Designer

Graphic Design Bachelor – ESDIR, Logroño (ES)

Würth – Logroño (ES) 
Graphic and Visual Designer

2019 – 20??
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2018 – 2019
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2014 – 2017
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2013, 12 Months
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2013, 5 Months
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2012, 5 Months
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2008 – 2012
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2012, 5 Months
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2019 – 20??
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2018 – 2019
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2014 – 2017
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2013, 12 Months
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2013, 5 Months
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2012, 5 Months
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2008 – 2012
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2012, 5 Months
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2019 – 20??
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2018 – 2019
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2014 – 2017
-----------

2013, 12 Months
---------------

2013, 5 Months
---------------

2012, 5 Months
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2008 – 2012
------------

2012, 5 Months
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2019 – 20??
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2018 – 2019
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2014 – 2017
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2013, 12 Months
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2013, 5 Months
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2012, 5 Months
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2008 – 2012
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2012, 5 Months
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